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Adobe after effects cc 2014 manual pdf free download

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Adobe after effects cc 2014 manual pdf free download

 
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Adobe after effects cc 2014 manual pdf free download

Table Of Contents. Quick Links Download this manual. Table of Contents. Previous Page. Next Page. Software Adobe User Manual Creative suite 4 production premium 94 pages. Deploying contribute and contribute publishing server 58 pages. This License allows users to copy, distribute, and transmit the user guide for noncommercial purposes only so long as 1 proper attribution to Adobe is given as the owner of the user guide; and 2 any reuse or distribution of the user guide contains a notice that use of the user guide is governed by these terms.

Page 3: Table Of Contents Page You install render engines in the same manner as the full version of the application, but you do not activate them. If you choose to participate, data about your use of Adobe software is sent to Adobe. No personal information is recorded or sent. Page 9 From the Connections panel menu , select Offline Options. Note: When you disable web services from the Connections panel, all other web services such as Adobe Kuler and Adobe ConnectNow are also disabled.

Printed resources Printed versions of the complete on-line product Help are available for the cost of shipping and handling at www. From the Community Help page, you can also search for community resources not on the Adobe website. To make a feature request or file a bug report, fill out the feature request and bug report form on the Adobe website.

David Van Brink provides tips, insights, and downloadable utilities for After Effects and other digital video software on his Omino website. Page Chapter 2: User Interface Workspaces, panels, and viewers Workspaces Adobe video and audio applications provide a consistent, customizable user interface.

Although each application has its own set of panels, you move and group panels in the same way in each application.

The main window of a program is the application window. Panels are organized in this window in an arrangement called a workspace. Grouping a panel stacks it with other panels. Page 19 When you undock a panel in a floating window, you can add panels to the window and modify it similarly to the application window. You can use floating windows to make use of a secondary monitor, or to create workspaces like those in earlier versions of Adobe applications.

Viewer menus provide lists of compositions, layers, or footage items that can be shown in the viewer, as well as commands for closing items and locking the viewer. However, if no layers are selected in the composition, the filtering operation applies to all layers in the composition. Removed Find button from bottom of panel. Page 33 Page Chapter 3: Workflows, Planning, And Setup Overview of general workflow in After Effects Whether you use Adobe After Effects to animate a simple title, create complex motion graphics, or composite realistic visual effects, you generally follow the same basic workflow, though you may repeat or skip some steps.

For example, you may repeat the cycle of modifying layer properties, animating, and previewing until everything looks right. You can make any combination of layer properties change over time, using keyframes and expressions. Use motion tracking to stabilize motion or to animate one layer so that it follows the motion in another layer. Page Planning And Setup Aharon Rabinowitz provides an article on the Creative COW website about planning your project with the final delivery specifications in mind.

For a video tutorial on creating and organizing projects, go to the Adobe website at www. Page Project Settings Effects. Page 41 Screen dimensions, video frame rates, and color gamuts vary greatly from one mobile device to another.

Adobe Device Central contains device profiles that provide information about these characteristics. Mobile devices, in general, have a limited color gamut. Previewing in Adobe Device Central can help determine if the colors used are optimal for an individual device or range of devices. Use Adobe Bridge to browse for project templates and animation presets; run cross-product workflow automation scripts; view and manage files and folders; When the camera moves around such a layer, it views the 3D object from various angles.

To see a video tutorial about using 3D object layers from Photoshop in After Effects, see the Adobe website: www. You can then use After Effects to edit and refine the video. Page 47 Flash version. You can import SWF files into After Effects to composite them with other video or render them as video with additional creative effects. Adobe Encore uses a naming standard to define a button and the role of individual layers as subpicture highlights and video thumbnails.

Select the layer that contains the audio that you want to edit. The item must be of a type that is editable in Adobe Soundbooth or Adobe Audition. When you add a linked composition that contains both video and audio to a sequence, Adobe Premiere Pro inserts linked video and audio clips in the timeline. Page 52 Link to a new composition When you link to a new composition from Adobe Premiere Pro or Encore, After Effects starts and creates a new project and composition with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of your Adobe Premiere Pro or Encore project.

For a video tutorial about the XML project file format, go to the Adobe website at www. Auto-saved files are saved in the Adobe After Effects Auto-Save folder, which is located in the same folder as the original project file. Double-click a template project to open it. Black or light gray lines indicate that the switch is selected, depending on the Brightness setting in the Appearance preferences.

Page 59 Timecode for When the timecode base is 60 fps drop-frame, frame numbers 0, 1, 2, and 3 are dropped in the same places as where 0 and 1 are dropped for drop-frame timecode with a timecode base of 30 fps. Each composition has its own timeline. A typical composition includes multiple layers that represent components such as video and audio footage items, animated text and vector graphics, still images, and lights.

Page 61 Resolution When Nested settings. Page 62 Create compositions for playback on mobile devices Screen dimensions and video frame rates vary from one mobile device to another. Adobe Device Central contains a database of device profiles that provide information about these characteristics. Using this information, you can create movies that play correctly and look as you intend on the mobile devices that you choose.

Page 63 After you render and export the compositions, you can preview and test the resulting movies on the simulated devices within Adobe Device Central.

You can also create and save your own custom composition settings presets for later use. Note: When you add one composition to another nesting , the background color of the containing composition is preserved, and the background of the nested composition becomes transparent. This allows you to apply an additional set of transformations to a layer or set of layers. The frame size of the new composition is the same as the size of the selected layer.

The default is to show compositions in the Composition Navigator bar with downstream compositions on the left and upstream compositions on the right. To switch between these sorting orders, press the S key when the Composition Mini-Flowchart is open. When sorting by layer order, a composition used multiple times is sorted according to its topmost instance in the stacking order.

What you see in the Layer panel is the result of the rendering before transformations are performed. The same file can be the source for multiple footage items, each with its own interpretation settings. Page 76 Animation defined by keyframes in the main, top-level movie is retained.

You can also render with bpc YUV compression. Page 80 Adobe Premiere Pro and After Effects recognize both straight and premultiplied channels, but only the first alpha channel they encounter in a file containing multiple alpha channels.

Adobe Flash recognizes only premultiplied alpha channels. Straight – Unmatted Interprets channels as premultiplied. Use the eyedropper or color picker to specify Premultiplied – Matted With Color the color of the background with which the channels were premultiplied. If you want to stretch both audio and video, use the Time Stretch command.

Frame aspect ratio sometimes called image aspect ratio or IAR is the ratio of width to height of the image frame. For example, if you import a movie captured as widescreen DV , After Effects automatically tags it correctly. Note: If you have a custom interpretation rules file, then you should update it with the correct pixel aspect ratio values. The QuickTime and Video for Windows player windows play the source file, not the edited and interpreted footage item based on the source file. This command is available only when the Project panel is active.

This command removes both unused footage items and all other compositions that are not included within a selected composition as nested subordinate compositions. Proxy assigned and in use B. Proxy assigned, but original in use C. No proxy assigned D. For example, if the actual footage item is a xpixel movie, create and use a xpixel proxy. When a proxy item is imported, After Effects scales the item to the same size and duration as the actual footage. When you import an Adobe Premiere Pro project, After Effects imports it into the Project panel as both a new composition containing each Adobe Premiere Pro clip as a layer, and as a folder containing each clip as an individual footage item.

Page 94 Adobe Premiere Pro. Each layer is placed on a separate track, and the last selected layer appears on Track 1. For example, if you select layers from top to bottom, the layers appear in the reverse order in Adobe Premiere Pro, with the bottom-most layer on Track 1. After Effects converts assets to layers and copies the source footage items into its Project panel.

If the asset contains an effect that is also used by After Effects, After Effects converts the effect and all of its settings and keyframes.